剧情简介： 某些事务本身是被遗忘的，被摒除于版权以外，更是某个地域里人的共同创作和耳目相传这些无大年夜价值却存附于地景、时空的事务该有保管上去的意义。试问当肇事剧情简介： 某些事务本身是被遗忘的，被摒除于版权以外，更是某个地域里人的共同创作和耳目相传这些无大年夜价值却存附于地景、时空的事务该有保管上去的意义。试问当肇事务的地景逐步演化时，事务本身是不是行将消亡？作为一般，我或容许以记载下些甚么。 Some occurrences themselves are forgotten and being got rid of any copyrights. What’s more these occurrences were created and shared by people in a certain place. Although these occurrences are worthless, they are still meaningful for reservation. When the places that something occurred have changed gradually, will occurrences themselves die out soon? As an individual, I may record something. 导演论述： 10年前迷上片子的时辰，我构思了《拐人》的雏形无人?未知。直至2015年，《拐人》得以面世。时隔3年再创作《拐人2：私有范围》。我希看为《拐人》补遗之余，进一步深进参议私家与公共、创作与共享、事务与地景之的关系。这也是我对地缘的一种映像层面的检验检验和存档。 When I became interested in movie 10 years ago, I thought up the idea of Unmanned / Unknown—the prototype of Abduction. Until 2015, Abduction has been created. After 3 years, I am eager to create Abduction 2: Public Domain. During the creation, I want to make an addendum for Abduction. At the same time, I want to explore deeper the relationships between privacy/public, creation/sharing and occurrences/landscapes. Also that’s a visual experiment and archive of my research about GEO.详情
